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    Brookings Hall- Washington University, St.Louis

     

    Perhaps because I am a double Gemini I have multiple-multiple personalities. One day I am "painter Lexie," another day I am "chef Lexie," and on my Hot Yoga days "Bikram Lexie". Robert will endearingly call me these names because on that day, or in that moment I am most passionate about that which I am doing, or being. Some days I am more than just one "thing" in which case I can even confuse myself! LOL! But this past month I was seriously  one Lexie who became: Flash Fiction Lexie! The metamorphosis occurred when I went to study the fine art of Flash Fiction and Prose Poetry thru the Summer Writers Institute  at Washington University in St. Louis. David Schuman is a fabulous teacher/writer/and current director of the Creative Writing program at WASH U and who, lucky for me, teaches the Flash Fiction program there. With approximately 32 hours of class time, plus the same  for "homework" (or more accurately, "hotel work"– dictated by my residence of choice), I got out of the class what I invested! Lots of writing and reading, reading and writing! There was serioius  workshopping, keen instruction, conjuring, dynamic discussion and critiquing, invaluable feedback, and kinship amongst writers FROM WHOM I LEARNED SO MUCH! The overall experience has given birth to a passion for a kind of writing that suits my nature: short in length, creative, and something that straddles poetry and prose. I even earned credits for which I am very proud!  So dear readers, on the heels of my return, and without looking too much over my shoulder, I submit one new piece of writing. In exchange for my SHARING this "micro-form" of writing with you, I ask you to read what is  OFF THE PAGE as well as what is ON THE PAGE.  Please enjoy and as always, I welcome comments. 

    Better Than Dancing Alone

    I found a dead bird on the welcome mat this morning. I found it by stepping on it, and since I didn’t have my slippers on, its matted feathers were sticky to my soles. Its beak nearly broke the skin of my left heel.

     “Get away from the crow,” I told the dogs. “In, in.” They knew to get away from a dead thing, and we all backed into the house like a crawling pod.

     I waited for R to come in for breakfast. I stood in the kitchen with a rusted shovel and plastic bag.  “There’s a dead crow at the front door. It’s bigger than you’d think.” I could hear the latent whine in my voice. I couldn’t hide that I didn’t want to do this chore by myself. 

     “We could kind of dance around it, like a blessing, sort of.”  I was thinking about the time in the islands when a dead dolphin washed to shore. The beach boys did a tonga number around it. Then they scooped it onto the surfboard, paddled out and returned it to the sea. In this case the crow would not return to the sky.

    “Honey, you do it. I gotta go.”

    “Can’t we do it quickly? It’s so much better than dancing alone.”

    “You can do it. I’ll see you later.”

     The dogs watched from inside the latticed screen door. I blessed the broken bird with my silly dance. I hummed and swayed my hips and cried more than was necessary for this impromptu funerary ritual. Getting it onto the shovel was a struggle, heavy as it was, and I had to rip open the green plastic bag to allow for the super size bird to slide into it.

    Barefoot still, I felt the gravel bite at the undersides of my feet as I walked the dead over to the garbage. Trash, or recycle?

    R came home early that day.

    “Let’s go for a hike,” he said, putting his arms around me.With the dogs in the back of the car we drove to the place where we can trek without leashes. Hand in hand, the animals running circles around us,  we turned to face the mountains.

     

  • THE REMAINS OF THE DAY     

    DREAM:

    I am working with Steven Spielberg in some creative capacity. We are ensconced in a craftsmen-like bungalow, the interiors of which are painted with grey green walls contrasted by reddish teak floors. The lighting is ambient but for a spot over the long worktable where I am working at a storyboard. Spielberg appears as a silhouette. Quiet classical music is playing, perhaps Bach. I look up from the worktable to announce, “I have to go to the bathroom.” 

    “Number One or Number Two?”  SS asks with authority. I sense he has asked others this question before.  He steps into the spotlight and comes into focus wearing round, dark tortoise shell glasses, a beard and holding a pipe in his hand. He looks like himself but with fuller jowls.

    “Why, does that matter?” I inquire, and blurt, “Well anyway, number two.” I surprise myself with my candor.

    “Okay then. Since it’s Number Two you have to go here.” SS motions to the floor with his pipe.  “I have a special blanket just for these occasions.”

    Occasions?

    S.S. goes to a beautifully polished seaman’s trunk and pulls out a blanket that is essentially one big diaper.

    “Go here.”  SS says not rudely, but just matter of fact.

    “On it? In front of you? Now?”

    “Yes. Go here. I won’t watch. I’ll leave.” I appreciate the brevity of his instruction. He exits through a glass paned door to a vast green garden with palm trees and a variety of foliage. It looks like my own garden in real life, a source of pride and joy. Once SS is out of sight, I squat and poop onto the diaper-blanket.

    THIS IS VERY OUT OF CHARACTER OF ME.

    Now what?

    I have to get rid of it. I loosely wrap it up, much like a homentashen. (A homentashen, is a baked good with three upturned corners with a fruit content peeking up through the middle, usually poppy seed, prune or apricot). I have packaged “my” homentashen-blanket-thingie neatly and efficiently. It is just like me to attempt to make something attractive out of something…unattractive. The homentashen “contents” peek thru the top. I slide it under a nearby bed so it cannot be seen in the shadows, the place where monsters sleep…

    Despite the “package” being out of sight, I am concerned Spielberg will see it when he returns. Even though he might want to inspect it, or maybe even have an expert inspect it. (A scatologist?). I must not let that happen.

    Now I see the worktable is gone. The place of the “act” took the place of the worktable. Does this mean the assignment is complete? No more work to do?

    I think about these things for a while, and wonder if Spielberg will return any time soon.  Maybe I have time to get rid of my “stuff” before he returns. I don’t want him to see it. If he asks to see it, I could always say it didn’t occur to me to keep it.

    But, after all it is mine, I can do what I want with it. I do not need to defend my actions, nor my stuff.

    Now I really want to get rid of it, and I think maybe I will dump the homentashen into a real toilet if I could find one. I see a hallway and assume it is the way to the loo. I choose not to schlepp it to the loo. I don’t want to carry my stuff around if I don’t have to.

    The loo’s toilet is very messy.  It is in need of a good flush.  I can’t bear to look at it. I gag and leave the room. I don’t want to put my stuff there. It’s too gross.

    It is then in my sleep that I consider what is going on.

    Here’s what I know: I am coauthoring something with Steven Spielberg, perhaps one of the greatest creative thinkers/artists/filmmaker of our time. His cinematic archive has left its indelible impressions on all of us, perhaps like: the whole world. These references have left deep and bold markings—useful and not useful—on our collective psyche. Seminal Spielberg has shape shifted so much of our popular culture. I don’t always love what he does (a lot). IN truth, some of it is just plain banal, but well done banal.  Still, he is a genius. So….

    Why am I in a dream with him? Why is he significant? Why didn’t he return to see my homentashen?

    Spielberg told me where to “go” and I listened. I defecated on the spot. Why would I feel comfortable enough to do that? I wasn’t: Good girls don’t do that! Even more so, how could I defy simple rules of civility? Nonetheless I did what I had to do. SS told me to and I trusted the process.  It was a test and it was up to me to do it. To do-do it!

    Though I’ve never thought of it before I think Spielberg could physically stump for Sigmund Freud. In this dream FOR SURE Spielberg is Freud. Who better to signal the message in a dream about physically relieving oneself than Freud? I mean Spielberg, I mean Freud.

    In this case, it seems, my “higher” subconscious (housed in SS/Freud’s entity) is telling me, myself, not to be afraid of creating a mess, as it were, and just do it. Spielberg/Freud is asking me, Lexie, are you willing to look at your “crap” in order to release the best of your creativity?

    As I have, you can further understand the significance of poop in dream context by picking up “The Dreamer’s Dictionary for the 21st Century” by Kelly Sullivan Walden. This book is very useful if you have vivid dreams as I do.  (Ya think?).

    “Dreams of feces signify that you are releasing and letting go of what is in the way of your being fully in your power.”  Walden continues about "mind-body-spirit cleansing", and then, “… you are moving into a powerful time in your life.”  AHA! “To be truly creative is to be personally empowered.”  AHA AHA AHA! (To the boom box!). Yeah baby! I AM SO READY!

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    The homentashen dream is a very quirky dream. But it possesses elements that are often camouflaged by metaphor. After “waxing” on this dream for a while I determine it is a message to myself about overcoming my self-doubt, or despite my doubts, to take a risk. With the risk, like ancient rites of passage, I will “cleanse” in order to be clear, to be in my maximum creative mode.

    What is most unique for me in this dream is that I take a giant risk that goes against all rules of civility.  The result of which, and perhaps the point of all this is that one cannot grow as an "artist" if one does not look at one's mess!  I must look at my mess in order to develop personally and hence, creatively!

    BTW: My mess includes doubts (am I good enough?). Fears (germs, disorder, crowds, overdue bills). Lousy habits, (too much alcohol, shopping, tardiness, and unreturned phone calls). Anger management: (oh shut up!). Admittedly at times I suffer horribly from an oh so very dark side, which includes, but is not limited to, self loathing.  I think this dream is victorious as it forces me to examine my own mess.

    My response?  Better take the challenge. What have I to lose? I am willing to engage further self-examination in order to effusively create even if some of it is crappy.

    Maybe I can go back to sleep and dream that I pull the homentashen out from under the bed and take a penetrating look. That could be a good start. Or maybe sharing this dream is a fine enough beginning.

     

     Helpful tips for dream interpretation:

    1.) Before going to sleep tell yourself to remember your dreams.

    2.) If you can wake up without an alarm you will have better dream recall.

    3.) When you wake try to remain in bed with your eyes closed. Stay with the feeling of the dream, mentally reviewing the images, the narrative, your own library of symbols and metaphors.

    4.) Write it all down. Don’t edit, just record what happened in the dream, including vivid details, emotions, characters, locations and corresponding associations that might be happening in your life.

    5.)  Interpretation.  Bear in mind that most everything in the dream, including other people, is a reflection of your self.

     

     

     

     

     

     

     

     

     

  • Sometimes the holidays get me down. Too much jingle-ling-a-ling. Too much shopping, too much stuff. It makes me nervous! That’s why I try to get into the “service” thing… giving to others in the form of giving back with my time. Altruism becomes the “heart” of my year-end mission.

    Alexis Deutsch-Adler(This is me shopping, after all. I got into  "giving tangibles" as a way of showing thanks with the fabulous GAVINA non-breakable wine and champagne glasses.)

    In this 2011 holiday season I volunteered for one of my favorite causes: the Everychild Foundation. I love this organization because it answers the much needed call to support local programs that directly serve children suffering from disease, disability, neglect and abuse. EC has a unique donation structure in that a single grant is given per year to one recipeint. A grant screening committee made up of EC members annually reviews hundreds of applications  selecting two top contenders for the membership (two hundred women) to vote on. This year the Centinela Youth Services received Everychild's 1 million dollar grant. Fair, equanimous, and a gift with impact: a key component to successful charitable giving. 

    My humble service this year manifested when EC’s founder, Jackie Caster (I call her our fearless leader for truly she is) asked me to help out with the “Everychild Within Us” CD launch. Part of this campaign was to organize a party at Fred Segal’s Zero Minus Plus in Santa Monica. The event turned out two of the featured artists on this uplifting compilation CD produced by the Everychild Foundation along with Greg Bell and so many others. * The party started to "roll" when Tim Wilson shared his sensational “chops” on the keyboard while shoppers, including Everychild members and friends like Tony Brown and family listened in. “Count On Me” singer –songwriter, and co-producer of “Everychild Within Us” Katrina Carlson was there to support the effort. I love this song! It is inspirational, bold, thoughtful and her voice just goes to my heart. When you listen to the CD, be sure to pay special attention to the thoughts and wishes of the local children whose holiday wishes are tastefully interspersed thruout the CD. The children participate in the HOLA project which provides tons of extracurricular activities for Los Angeles inner-city school children. Hola was the 2007 Everychild grant recipient. 

    Go to www.everychildfoundation.org to hear bits from the Everychild Within Us CD and to learn more about this wonderful foundation.

     Jackie, Catrina,Tim Wilson, LexieLeft to right: Jackie Caster, Katrina Carlson, Jim Wilson, Me

    Catrina, Tim Wilson, Greg Bell, JackieLeft right right: Katrina Carlson, Jim Wilson, Greg Bell and Jackie Caster

    TimJim Wilson at the keyboard
    Tim1
    Olympia, Jackie, Tony Brown, PhilippaLeft to right: Olympia Aguillon, Jackie Caster, Tony Brown and Phillppa


    To learn more or order the CD visit www.everychildfoundation.org .

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